Long may their drums beat

Manituana (paperback edition) reviewed in The Independent

Boyd Tonkin, Friday, 23 July 2010

First known as “Luther Blissett”, Bologna’s fiction-writing collective return with a stylish, atmospheric and provocative saga set in British America in the years prior to the white-settler uprising of 1776.There’s the rub: turning received ideas on their head, as ever, Wu Ming evoke the coming rebellion mostly through the eyes of the Mohawk nation loyal to George III, the “Great English Father”.
At the core of a sweeping, narrative, bursting with colour and character, stands the real-life war chief, Joseph Brant, stalwart but doomed in his defence of a threatened culture and society.

Quite how the Italian mavericks (here beautifully translated by Shaun Whiteside) conjure fiction of this strength and nuance from a collective remains a puzzle. But long may their drums beat.

Wu Ming’s 10th anniversary, from 2000 to 2010

As the Grateful Dead would put it: “What a long strange trip it’s been“.
On January 1st, 2000, one day after Luther Blissett’s “Seppuku”, we founded the Wu Ming collective.
A few weeks later, this very website went on line. Ten years of uninterrupted presence on the web. Ten years of conversations, confrontations, communal moments. Thank you all for having made it possible.
With the exception of our comments on the Fluxus-like assault on Burlesquoni, in the last month of 2009 we kind of neglected this blog. We’ve been (and still are) very much involved in the promotion of our novel Altai, which has sold about 30,000 copies so far, and has generated a huge, rich, multifarious debate. The book tour comprises nearly 60 presentations in 50 cities all over the Paeninsula. We already did 14 of them. Film critic Woody Haut says that we’re “indefatigable”, we hope he’s right.
In the meantime, we spotted some interesting things on the web.

For example, The Independent‘s Boyd Tonkin ranked Manituana among the best “general fiction” works published in the UK in 2009. Tonkin wrote that “the overthrow of American revolutionary myths in Manituana” reads as “a tale of our times”, and added: “the Italian Wu Ming collective craft a splendidly surprising, Mohawk-centred view of white colonists’ rebellion against the “Great English Father”, George III.”

In an interview we gave several years ago (BTW we were too influenced by “post-Operaismo” jargon and autonomo-marxist conceptual frames back then, you can see that in the first answer, but the rest of the interview is still good), we said that

We usually think of an historical period which seems fascinating to us, then we spend months watching microfilms, reading sources, doing research, writing down all kinds of stuff, then the brainstorm comes and it lasts several weeks. We have hallucinations, sort of. Historical research is like peyote to us. After we recover from all the shocks and flashes, we start to write.

In 2002 Nate, the guy running the “What in the hell…” weblog, was unable to grasp the metaphor. What in the hell were we talking about? In what way is researching history like taking peyote?
Eventually, after reading Manituana, Nate understood :-D

The Independent runs an enthusiastic, impressively acute and visionary review of Manituana

Boyd Tonkin writes:

Brant and his people keep their side of a firm pact to support the Crown in spite of their outsider status. Indian warriors, Irish and Highlander Catholics, “Papists and pagans” alike fight for King George as “two tribes of masked men”. But fight they do, in the face of British equivocations and compromises. Yet in one bloody and colourful skirmish after another, the Indian nations’ “Longhouse” begins to crack under the rebel onslaught. George Washington and his raggle-taggle bands of chancers, predators and bigots so far from the upstanding heroes of America’s deepest myth seek to drown an ancient culture in “lakes of tears and rivers of blood”.

What saves the Wu Ming crew from romantic sentimentalism is a trademark sophistication about political ideas and their impact on both words and deeds. Philip, a French captive who has literally gone native to become the Mohawk’s fiercest brave, reads Voltaire and Rousseau and reminds a patronising lady that “many European things are circulating in the American forests”. Exploring this already hybrid world, Manituana dismantles the delusion of the simple “noble savage” as shrewdly as it debunks the usual patriotic pageantry of 1776 and all that.

A virtuoso middle section (again rooted in real events) sends Brant, Philip and Johnson’s son-in-law to London, where they aim to reinforce the Indian alliance of equals with the Crown. Fawned over as a “ceremonial beast” in salons and palaces, Brant also brushes against the squalor and despair of the capital’s poor. With a firework display of thieves’ cant and gang jargon, an electrifying high point of Shaun Whiteside’s swift but subtle translation, the “Mohocks of Soho” who actually existed hint at the grim underclass destiny that lies in store for defeated traditional peoples all around the world. Wu Ming do sometimes graft the preoccupations of today onto the events of yesterday. Philip, for example, has a vision of “a London as big as the world”, where free-market individualism has gobbled up the planet and its once-proud communities. Mostly, however, Manituana shuns anachronism as it sets about delivering a fast-flowing, densely peopled, richly decorated story of a precious way of life, and thought, on the brink of the modern abyss. As for Wu Ming and their bewitching fictional fellowship, let’s hope that many moons will pass before we see the last of these mysterious Mohicans.

Read the full review here.

The Independent: Devilish Plotting That Might Oust Brown

In today’s edition of UK newspaper The Independent, Boyd Tonkin compares Dan Brown‘s fiction to super-saturated fats and proposes a more healthy diet:

Healthy foodFor the conspiratorial potboiler, almost all roads lead to Rome. However silly the spectacle of TV-friendly Jesuit scholars unpicking Brown’s theology and church history, at least the Vatican grasps that his appeal taps into a seam of anti-clerical suspicion that long predated the Reformation and has never yet run out. If plotters in cassocks and dog-collars float your boat, then other authors can rustle up similar dishes in more a savoury style. (more…)

WELCOME TO WU MING’S BLOG


We are the Wu Ming Foundation. We are a collective of novelists based in Italy, a country that's living its darkest period since the old days of fascist dictatorship (1922-1945). We are the authors of several novels. As of springtime 2010, three of them are available in English: Q, 54 and Manituana. If you want to know more about us, check these links (they will open in new windows):

Biographical page on our "classic" website

Wu Ming on Wikipedia