Index

00. Prologue
01. Who is Luther Blissett: Birth of a folk hero
02. Luther Blissett Trivia and Links
03. Making The Reputation Of Imaginary Artists
04. Making The Reputation of Imaginary Cultists
05. The Night Luther Blissett Hijacked A Bus In Rome
06. The novel Q: Do what is possible, and then move on
06b. Sounds Like Thom Yorke has a new mission
07. Copyleft! Since 1996
08. Wu Ming and the novel 54: Slightly more than expected from a band of novelists
09. Manituana
10. Altai: a Return to Q
11. A very incomplete list of urban legends and false rumors about us
12. Bibliography
13. Prosecco from a workers' coop vineyard: a selection of reviews


Prologue

In 1994, hundreds of European artists, activists and pranksters adopted and shared the same identity.
They all called themselves Luther Blissett and started to raise hell in the cultural industry. It was a five year plan.
They worked together to tell the world a great story, create a legend, give birth to a new kind of folk hero.
In January 2000, some of them regrouped as Wu Ming. The latter project, albeit more focused on literature and storytelling in a narrower sense of the word, is no less radical than the old one.


Who is Luther Blissett: Birth of a folk hero

"Luther Blissett" is a multi-use name, an "open reputation" informally adopted and shared by hundreds of artists and social activists all over Europe since Summer 1994.
For reasons that remain unknown, the name was borrowed from a 1980's British soccer player of Afro-Caribbean origins.
In Italy, between 1994 and 1999, the so-called Luther Blissett Project (an organized network within the open community sharing the "Luther Blissett" identity) became an extremely popular phenomenon, managing to create a legend, the reputation of a folk hero.
This Robin Hood of the information age waged a guerrilla warfare on the cultural industry, ran unorthodox solidarity campaigns for victims of censorship and repression and - above all - played elaborate media pranks as a form of art, always claiming responsibility and explaining what bugs they had exploited to plant a fake story.
Blissett was active also in other countries, especially in Spain and Germany.
December 1999 marked the end of the LBP's Five Year Plan. All the "veterans" committed a symbolic seppuku (samurai ritual suicide).
The end of the LBP did not entail the end of the name, which keeps re-emerging in the cultural debate and is still a popular byline on the web.
Luther Blissett's face was created by Andrea Alberti and Edi Bianco in 1994, by morphing old 1930's and 1940's portraits of WM1's great-uncles. Click on the image to download it at high resolution (jpg + zip, 500 dpi, 940 kb). This picture is in the public domain.

Luther Blissett Trivia and Links (Music, Spoken Word, Video etc.)  Here's a tribute to Piermario Ciani (pic on the left), artist and cultural saboteur, one of the founding fathers of the Luther Blissett Project. He died of prostate cancer in 2006, at 55 years of age. Here's a Books quiz on Italian literature from The Guardian on line (UK). Check out the first question. The end of the Five Year Plan was celebrated with the release of Luther Blissett: The Open Pop Star, a cd compilation filled with weird electronica, mysterious voices and wild cut-ups. Among the contributing artists was Merzbow, the frighteningly prolific Japanese noise-master. Luther Blisset (with only one t) is the title of a song from Tuxedomoon's album Cabin in the Sky(2004). In the UK, one of the early adopters of the multi-use name was the novelist Stewart Home, author of such books as Come Before Christ and Murder Love and 69 Things to Do with a Dead Princess. Click here and listen to Stewart declaiming his short story Cheap Night Out, live at the Institute of Contemporary Arts, London, August 28th, 1997 (mp3). The main character and narrating I is none other than Luther Blissett. Click and watch Luther Blissett (the soccer player) explaining the Luther Blissett Project on the British television (Fantasy Football Euro 2004, on ITV, 29 June 2004) Click and watch Luther Blissett (the soccer player) answering a question on the Luther Blissett Project. Click and listen to The Luther Blissett Enigma, a radio novella broadcast by the Australian Broadcasting Corporation in 2001.

Making the Reputation of Imaginary Artists

Making the Reputation of Imaginary Cultists
The Way of the Guerrilla: A selection of Luther Blissett Pranks

Luther Blissett's most complex prank was played by dozens of people in Latium, central Italy. It lasted a year, involving black masses, satanism, Christian witch-hunters in the backwoods of Viterbo and so on. The local and national media bought everything with no fact-checking at all, politicians jumped on the bandwagon of mass paranoia, there was even video footage of a (rather clumsy) satanic ritual being broadcast on tv, until Luther Blissett claimed responsibility for the whole racket and produced a huge mass of evidence.
"Homoepathic counter-information": by injecting a strong dose of falsehood in the media, Luther Blissett showed the unprofessionality of most reporters and the groundlessness of moral panic.
This happened in 1997. The hoax was praised and analyzed by scholars and media experts, and became a case study in several scientific texts.

The Night Luther Blissett Hijacked a Bus in Rome 

Four persons are found ticketless on an Italian train. Hardly unusual, isn't it? When asked in court (in court?) for their names, they all answer 'Luther Blissett'.
If you seek "Luther Blissett" on the web, sooner or later you'll bump into this story.
Well, it isn't true. Moreover, the real story is much better.
It wasn't a train, it was a night bus. It happened in Rome on June 17th, 1995. A few dozen ravers occupied and "hijacked" a night bus. A rave party took place on the vehicle until the police decided to block the street and stop it.
When the ravers came out of the bus, the policemen attacked them, one of them even fired three shots in the air.
A journalist from an independent radio station (Radio Citta' Futura) was also on the bus, he was covering the event on the phone for a live chat show, thus the shots were heard by thousands of listeners (Click here and listen to the mp3, 128k).
Eighteen people were arrested. Some of them said that they were "Luther Blissett", but none of them actually claimed that at the police station, later on.
The media extensively covered the event, which showed how much the "Luther Blissett" name was penetrating youth subcultures.
We really don't know how this turned into that four-people-on-a-train story. Years later, it keeps popping up here and there. We used to find it funny, now it's just... uncanny.


The novel Q
Do what is possible, and then move on.

The novel Q was written by four Bologna-based members of the LBP as a final contribution to the project, and published in Italy in 1999.
The novel is set in 16th century central Europe, during the peasant riots and popular rebellions that almost "hijacked" the Reformation, before suffering bloody repression with Luther's enthusiastic approval.
McKenzie Wark, author of A Hacker Manifesto, concluded his review of the novel with these remarks:
'Q is in some ways an optimistic book... It's a question of a narrative resurrection, where the return of the marginalized, the disempowered is still possible. A return, not as victim, but as a different kind of hero. The kind of hero who works in situations, does what is possible, and moves on. A Luther Blissett.'

"It is hard to do better than this vivid, terrifying portrait of a survivor of the Protestant Reformation . . . The characters in Q bleed real blood, blood that was still soaking Europe in the trenches of World War I, and the firestorms of World War II." -- The New Republic

So far, Q has been translated into English (British and American), Spanish, German, Dutch, French, Portuguese (Brazilian), Danish, Polish, Greek, Czech, Russian and Korean.

SOUNDS LIKE THOM YORKE HAS A NEW MISSION Here's something from an interview with Radiohead at The Observer Music Monthly (December 9, 2007): Thom's reading Q by mysterious Italian anarchist group Luther Blisset [ehm...]. I tried to read that once, I tell him. 'Oh it's fucking ace! But my missus, that's her specialist field, so she's been explaining it to me all the way through. Medieval church carnage. It's mental. I want to get it made into a film. That's my next mission.' Using the In Rainbows profits? 'Mmm-mm,' says Thom Yorke, shaking his head. 'I doubt it. That would cover basically the catering.' A few weeks later, a bird told us that Q was in a reading list compiled by Yorke and other Radiohead member Ed O' Brien for the Borders website. Here is Thom's description of the book: "A tremendous book that makes the inquisitions of 16th-century Europe sound exciting."

Copyleft!
Since 1996

Besides the complexity of the plot and its allegorical values, the fact that Q was published with a kind of "copyleft" notice caused quite a sensation among those who ignored that, several years before the Creative Commons licenses, the practical critique of 'copyright as we've known it' had been at the core of the LBP's activities.
This is the notice:
The partial or total reproduction of this book, in electronic form or otherwise, is consented to for non-commercial purposes, provided that the original copyright notice and this notice are included and the publisher and source are clearly acknowledged.
Wu Ming's writings on copyright, copyleft and intellectual property are stored here.


Wu Ming and the novel 54
Slightly more than expected from a band of novelists

In January 2000, a fifth person joined the four authors of Q and a new band of authors was born, Wu Ming.
"Wu - Ming" is a chinese word, it means either "anonymous" (無名) or "five names" (伍名), it depends on how you pronounce the first syllable. The name of the band is meant both as a tribute to dissidents ("Wu Ming" is a common byline among Chinese citizens demanding democracy and freedom of speech) and as a refusal of the celebrity-making machine which turns the author into a star. "Wu Ming" is also a reference to the third sentence in the Dàodéjīng (Tao Te Ching): "Wu ming tian di zhi shi", "Nameless is Heaven's and Earth's Origin". "Wu Ming" (唔明) may also mean "Don't understand" in Cantonese (thanks, Wesley!).
We are not anonymous ourselves, our names aren't secret. However, we use five noms de plume composed by the name of the band plus a numeral, following the alphabetical order of our surnames. The current line-up is: Roberto Bui aka Wu Ming 1, Giovanni Cattabriga aka Wu Ming 2, Federico Guglielmi aka Wu Ming 4 and Riccardo Pedrini aka Wu Ming 5. Luca Di Meo aka Wu Ming 3 left the band in the springtime of 2008.
In their early years, the group's major effort was 54, a novel with dozens of characters (including Cary Grant and Marshall Tito) set in 1954. The book inspired the Italian folk-rock band Yo Yo Mundi, whose concept album (also titled 54) was released at the beginning of 2004.
The members of the band also wrote "solo" novels. Havana Glam by Wu Ming 5 was published in 2001. Guerra agli Umani by Wu Ming 2 and New Thing by Wu Ming 1 were published in 2004. Wu Ming 5's Free Karma Food was published in 2006, Wu Ming 4's Stella del mattino was published in 2008.
Wu Ming also co-wrote the screenplay for Guido Chiesa's movie Radio Alice (2004).

So far, 54 has been translated into English, Dutch, Spanish and Portuguese.


Manituana

The novel Manituana was written in the 2004-2007 period and was published in Italy in March 2007.
It is the first episode of an 18th-century pan-Atlantic trilogy which we call the "Atlantic Triptych" and will keep us writing for quite a few years. All novels will be set on the backdrop of the American Revolution, from 1775 to 1783, all across the Ocean (North America, Europe, the West Indies and Africa). Manituana reached as high as #4 in the Italian best-seller charts.
The English translation was published in the UK and the US by Verso in October 2009, with extremely positive critical reactions.
Manituana is at the centre of a complex transmedia storytelling project where a pivotal role is played by  the book's official, multilingual website.

1.

Bibliography

Q (Einaudi, Turin 1999 - Mondadori, Barcelona 2000 - Seuil, Paris 2001 (title: L'Oeil de Carafa) - Wereldbibliotheek, Amsterdam 2001 - Hovedland, Jøbjerg 2001 - Travlos, Athena 2001 - Piper, München 2002 - Conrad, São Paulo 2002 - Heinemann, London 2003 - Harcourt, Orlando, FL 2004 - Wydawnictwo Albatros, Warszawa 2005)

Asce di guerra [Hatchets of War] (co-authored with Vitaliano Ravagli, Tropea, Milan 2000)

Havana Glam (solo novel by Wu Ming 5, Fanucci, Rome 2001)

54 (Einaudi, Turin 2002 - Mondadori, Madrid 2003 - Vassallucci, Amsterdam 2003 - Harcourt, Orlando, FL 2004)

Esta revolución no tiene rostro [This Revolution Has No Face] (a collection of articles, short stories and miscellaneous writings, Acuarela, Madrid 2002)

Giap! (another collection, Einaudi, Turin 2003)

Guerra agli umani [War on the Humans] (solo novel by Wu Ming 2, Einaudi, Turin 2004 - Editions Métailié, Paris 2007)

New Thing (solo novel by Wu Ming 1, Einaudi, Turin 2004 - Editions Métailié, Paris 2007)

Asce di guerra 2005 [Hatchets of War 2.0] (co-authored with Vitaliano Ravagli, Einaudi, Turin 2005)

Free Karma Food (solo novel by Wu Ming 5, Rizzoli, Milan 2006)

Manituana (Einaudi, Turin 2007)

Previsioni del tempo (Edizioni Ambiente, Milan 2008)

Stella del mattino (Einaudi, Turin 2008)

Grand River (Rizzoli, Milan 2008)

New Italian Epic (Einaudi, Milan 2009)

Altai (Einaudi, Turin 2009)

Prosecco from a Workers'-Coop Vineyard
A selection of reviews and feature articles from the Anglo-American press.

The Independent (UK) on Manituana
"Manituana shuns anachronism as it sets about delivering a fast-flowing, densely peopled, richly decorated story of a precious way of life, and thought, on the brink of the modern abyss. As for Wu Ming and their bewitching fictional fellowship, let's hope that many moons will pass before we see the last of these mysterious Mohicans."

The Guardian (UK) on Manituana
"Wu Ming squeeze every potential for incisive, rabid adventure they can out of the popular novel. Their books sizzle with a kind of lefty jazz: they're linguistically and culturally hip, historically astute, with a heart worn challengingly on the sleeve."

The Herald (UK): An Interview with Wu Ming 1 on Manituana
"Manituana recounts the American war of independence from the losing side – the Six Nations of the Iroquois – and employs all the tricks and devices familiar to readers of their previous offerings... Conflicting narratives, false trails, elaborate games and back-and-forth propaganda. Seasoned throughout with a neo-marxist outlook that throws up dozens more questions than it answers, it’s an enlightening, sometimes infuriating, but always invigorating read."

The Independent (UK) on 54 / 1
"Don't ask me just how the Wu Ming clan have pulled off this second coup. I only know that their blend of outrageous burlesque and offbeat satire sparkles like a bottle of the best prosecco from a workers'-coop vineyard."

The Independent (UK) on 54 / 2
"By the collective nature of its fluent voice, Wu Ming subverts traditional literary norms. In contrast with those Structuralist and Marxist academics who have produced reams of speculative theories on the death of the solitary auteur, Wu Ming has acted."

The Guardian (UK) on 54
"A baggy story of post-war Italy at the height of the cold war. This diverting post-modernist entertainment - about narcotics, the cheap potency of Hollywood, the coming of television, the balance of political power, and how the effects knock on down the line - is skilled in teasing fact and fiction."

The Philadelphia Inquirer on 54
"The collective effort works remarkably well. 54 is a great, sprawling epic. Serious and satirical, it can be read as a spy novel, gangster thriller and political manifesto, with enough scenes of unsavory characters, drug smuggling, shoot-outs, and doomed love affairs to resemble a Romanzo della Polpa (pulp fiction). But this would be a shallow reading - 54 is much more complicated, and simple. At its heart it is a story of the hopes and expectations we have for ourselves and each other, and how the forces of history, life and love can dash and rebuild these."

The London Times on 54
"The plot is a formidable feat of imagination that moves restlessly between Bologna, Naples, California, Moscow, Dubrovnik and Marseilles."

Scotland on Sunday on Q
"This is dazzling; a history of the sects and doctrinal intrigues of the Reformation that is simultaneously an epic novel of espionage, betrayal and brutality; where minute details unfurl into the eddy of events."

Time Magazine on Q
"The novel is a sweeping saga of the 16th century religious wars touched off by the Reformation. Fast-paced, richly detailed and teeming with hundreds of characters, it throbs with violence, heroism, betrayal and sex."

The San Francisco Chronicle on Q
"Blissett moves his characters skillfully, pieces on a chessboard whose next square they cannot see, and keeps the reader in suspense until the final, fatal meeting."